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The summit of Mark Waid’s art

Our admiration for Issue 7 of the Daredevil series, written by Mark Waid, is boundless. And Dylan Routledge feels the same: “I’d also love to give a special shout out to issue 7 that pops up in the second volume of Waid’s Daredevil run as it is simply not only one of the best single issue of his run, but potentially one of the best Daredevil issues ever AND one of the best single issues to have been published in the last five years.” Dylan Routledge, “The Weekly Challenge: Mark Waid,” http://www.comicbookdaily.com, October 12, 2015).

We would describe this story as Daredevil vs. the snowstorm. We consider it the peak of an orientation taken by a few writers to bring superheroes back down to human scale, in terms of the trials they face. This doesn’t mean that these challenges can’t be life-or-death, but they don’t need to have intergalactic implications.

For this post, we did some research to find reviews of Issue 7. Christine Hanefalk uses the word charm to describe it and adds, “Amazingly, the story never goes into too sweet territory.” (“Review of Daredevil #7,” http://www.theothermurdockpapers.com, December 22, 2011). Waid plays with clichés without ever stumbling. He draws from the character’s personality.  “Mark Waid takes established elements, like the difficulty Daredevil’s radar sense has with a snow storm, and uses them to create a daunting set of obstacles for the characters to survive.” (Wed, “Review of Daredevil #7,” http://www.comicbookresources.com, December 21, 2011).

We naturally also found negative reviews—and even some very negative ones. We decided not to cite them here, not to censor an opinion—because interested readers can find them easily—and not to glorify the author either. We’re not doing a literary analysis of all of Waid’s work on Daredevil. Our goal here was just to express our admiration for him and for this issue, and the story developed in it.