A lot of people judge American comic book writers from the 1970s harshly. Alan Moore was one of the fiercest critics of the early 80s. (“Alan Moore’s Lost Stan Lee Essay,” 1983, part 2 of 2). We consider the Silver Age to be a period in which the various elements in comic books were kept in check. The dialogue wasn’t overly explanatory, the descriptive boxes offered access to another level of story, and we hadn’t yet sunk to psychologically hyperanalyzing the characters. Here is a page from issue 200 of the Fantastic Four, written by Marv Wolfman, where we find such a balance.