We have already spoken of the symbiosis that exists between words and illustration, but the relationship can sometimes be even more profound. Take, for example, the collaboration between Frank Miller and David Mazzucchelli for the Daredevil series in the 1980s. Nadel says, “Very simply, the story follows Matt Murdoch/Daredevil as his life is dismantled by his nemesis, The Kingpin. He loses faith in himself and the world, then regains it. Miller conceived the story and then he and Mazzucchelli collaborated very closely, as described by the artist in his unexpectedly candid and moving introduction: ‘This is why we chose not to separate the credits into writer and artist; because although technically I did no scripting and Frank did no drawing, I was contributing ideas for plot, characterization, and storytelling (such as the succession of title pages charting Matt’s descent), while Frank was describing the contents of each panel in his scripts’ ” (“Some Thoughts on David Mazzucchelli’s Daredevil: Born Again Artist’s Edition,” Dan Nadel, www.tcj.com, August 27, 2012).
To illustrate, when Michel Lamontagne suggested that we write a story from the point of view of the villains, we found the concept interesting. This resulted in “Blitzkrieg.” This story puts a face to some of the characters who often remain anonymous, and shows some of the human repercussions of the Black Orchestra’s attacks.