1.0Les Apatrideshttps://lesapatrides.com/enMhttps://lesapatrides.com/en/author/martin/Touch-ups (“Clearly”—Part II) - Les Apatridesrich600338<blockquote class="wp-embedded-content" data-secret="iqGnw6nSAi"><a href="https://lesapatrides.com/en/bonus/les-retouches-clarifications-partie-ii/">Touch-ups (“Clearly”—Part II)</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://lesapatrides.com/en/bonus/les-retouches-clarifications-partie-ii/embed/#?secret=iqGnw6nSAi" width="600" height="338" title="“Touch-ups (“Clearly”—Part II)” — Les Apatrides" data-secret="iqGnw6nSAi" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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https://lesapatrides.com/doc/2015/08/complement131.jpg350275The scriptwriter can ask for corrections to an illustration to maintain the overall consistency. When Benson leaves the airport, he turns around completely to be seen in profile. We asked the illustrator to have Benson turn toward the camera instead, to give a polarization effect between him and Eva, who had turned her back to…